If I Told You My Story...Would You Listen? 4th Year Show

 My pieces are now in the Fina Gallery at UBCO as part of the 4th year graduating class. The piece with the steel sculpture and felt balls is called What Colour Are You? and the piece with the felted heads is called If I Told You My Story Would You Listen. 
What is not visible hear in the picture is that one of the heads has a speaker in it and it repeatedly asks the same questions...trying to call attention to the viewer. The colourful ball sculpture has a motor in the middle which stirs the balls.

What Colour Are You?

Welded Steel and Wool Fleece

My work has dealt with the exploration of combining wool and steel and trying to find a balance between the two. I have concluded that the steel often ends up being a support or container for the wool. The idea that the steel could be construed as masculine and the wool as female was my original starting point. I felt the need to defend the idea that working in wool and using it as a sculpture tool is not to be designated as craft but serious art. In the end I was lead to the conclusion of “who cares”. The steel is stronger and holds the wool and that’s okay....just as the wool is soft and colourful and allows the steel to shine.

This piece is my attempt to display a visual reference for the oneness of mankind. People, though they may look different and believe different things are all human beings made of flesh and soul and spirit.

The idea that your life does not affect mine is for me an illusion and construe of society to allow bad things to happen in the name of the greater good. I believe that even though you live in a far away country and I have no visible relationship to you...your life affects mine in the matrix of mankind. The reality that you live in will change the reality that I live in and vice versa

If I Told You My Story...Would You Listen?

Wool Fleece and Media

This installation piece is the beginning of a larger piece that will explore the stories we tell about the lives we live. The faces are the untold stories of women as they meet and interrelate with one another. I want the viewer to listen to the stories that are told but I also want the viewer to imagine and hear the story themselves by looking at the faces and listening to what they hear.

My Studio

It is really fun to finally have a studio...I can leave my mess and no one can complain because its my space. This picture is at the beginning before I got all my stuff into it. I have collected a fair amount of metal and have eased out into the middle space. Avery...my visa a vie studio partner doesn't mind as she has moved out and we meet in the middle.
My faces are coming along...I have quite a few more now and intend to have alot by April...watch for pictures from the 4th year mid term show

Sculpture and Hats

I am still fascinated by faces sculptured in wool. I really have no desire to make them look like someone or some character, I prefer to leave them vague so that the viewer can do the interpreting. I want the faces to invoke in the viewer an idea of what this face is about...the stories behind the face. As I begin my 4th year project, I find myself enjoying the vagueness of what these faces could be or what stories they will tell. As I finished this blue hat...a combo of my stash...think I will make more for Fabulous Finds...I put it on my face to photograph and all of a sudden the story was there. My challenge is how to get this face to talk....though Alek, my professor, has given me some ideas...I don't know if I'll get there this fall.

Spinning or Felting: That is the question

 I can't decide whether or not I should spin this batt that I carded up. My husband thinks its prettier the way it is and he is right, it is pretty. I could use it to felt with or I could sell it on etsy. It is a mixture of the BFL I bought this year and dyed, plus silks, mohair, and icicle that I also dyed. Once I spun the other 3 batts, the colours mixed and it is a yarn full of life. I made a baby hat out of the blue skein I had spun as they are only about 50 yds.
I ordered a new flyer for my spinning wheel, so that I could spin larger skeins as this is the max that my 

 flyer can manage.

Knit a Hat a Week

 I had this idea that I could knit a hat a week for a year. That way I would end up with 52 hats, most of which I probably don't need. I love to knit hats. They are easy and small and fun. They fit in your purse, you can do them on the bus, or while waiting for an appointment. I work in a well stocked yarn store and there is no way I could possibly make something out of all the variety that there is in the store. If I knit hats, I can try all the yarns I want to try and I haven't invested a ton of money or time and it satisfies my sanguine nature. One day it will be pink, the next day blue.... or whatever I want.
I consider this Hat #2 as last week I made the baby hat out of my handspun.
This hat is also my own design which I posted on Ravelry
http://www.ravelry.com/patterns/library/pink-passion-hat

Trading Talents

 Amy and I did a trade. I loved her Tulip vases and she my hats, so we each made what we are good at and shared it with the other. The trade happened at the Art of Yarn, so we didn't have any tulips. I thought her vases would also make great needle holders, so here it is. It looks beautiful with a tulip, but I could also imagine it on my desk holding my needles.

The hat was made with Noro yarn, a wonderful cotton and silk blend. Amy picked the colour which just happens to be my favourite colour and it matches my hair perfectly. Was a hard hat to give up as it look great on me too.
I loved the idea of trading and it was great to share our talents and bring joy to Amy and Amy to me

Summer here we come

Third year is almost over. One more paper and one more take home exam and I am done. This time next Thursday, I am free to do whatever I want. All those projects I put on the back burner while I was writing papers, studying for exams, doing the Mad Hatter and painting, 7 paintings.

The theme of my narrative painting was Fasnacht and here is one of the Waggis that is part of the painting. He was my favourite and probably most successful. The painting is 8 feet by 5 feet and though I handed it in, it is not quite done.